Oboist

Gabriel Pidoux

Scroll

AGENDA

27 September

Adagio de Thionville

Concert with Sélim Mazari, piano

Infos

20 October

Festival Zelenka, Prague

Concert with Le Chapitre

Infos

8 November

AJAM, Bischwiller

Concert with Jorge Gonzalez Buajasan, piano

Infos

10 November

AJAM, Mulhouse

Concert with Jorge Gonzalez Buajasan, piano

Infos

12 November

AJAM, Altkirch

Concert with Jorge Gonzalez Buajasan, piano

Infos

13 November

AJAM, Strasbourg

Concert with Jorge Gonzalez Buajasan, piano

Infos

15 November

AJAM, Saint-Marie-aux-Mines

Concert with Jorge Gonzalez Buajasan, piano

Infos

17 November

AJAM, Saverne

Concert with Jorge Gonzalez Buajasan, piano

Infos

18 November

AJAM, Colmar

Concert with Jorge Gonzalez Buajasan, piano

Infos

14 January

Théâtre impérial de Compiègne

"Fidelio" (Beethoven) with Le Chapitre

Infos

15 January

Théâtre impérial de Compiègne

"Fidelio" (Beethoven) with Le Chapitre

Infos

20 January

Atelier Lyrique de Tourcoing

"Fidelio" (Beethoven) with Le Chapitre

Infos

BIOGRAPHY

As the oboe is too rarely heard outside the orchestra, Gabriel wishes to propose a more singular listening of this instrument with infinite capacities.

Since the oboe is all too rarely heard outside the orchestra, Gabriel Pidoux is committed to offering a new approach and a more unique listening experience for this instrument with infinite possibilities. In 2020, he became the first oboist to be named “Instrumental Soloist Revelation” at the Victoires de la Musique Classique.

Her debut album, “Romance” (a collection of sonatas), featuring pianist Jorge González Buajasán, was released in 2022 on the Alpha Classics label; the recording received, among other accolades, “5 Diapasons” and “5 Stars” from Classica magazine. His second album, “Routine,” dedicated to French sonatas, was released in March 2026 on the Oktav Records label and received a Diapason d’Or.

Gabriel studied under Hélène Devilleneuve, Jacques Tys, and David Walter at the Paris National Conservatory of Music, and later under François Leleux in Munich.

Gabriel has won several international competitions (IDRS, BeTheOne, Michel Spisak Oboe Competition, etc.). In 2019, he won second prize at the Prague International Competition. He has performed as a soloist with the Mozarteumorchester Salzburg, the Hong Kong Sinfonietta, the Orchestre National de Lille, the Orchestre de Chambre Nouvelle Aquitaine, the Orchestre des Pays de Savoie, the RTV Slovenia Symphony, and the Prague Symphony Chamber Orchestra, as well as with orchestras such as La Scala in Milan, Gli Incogniti, Ensemble Pygmalion...

Fascinated by the history of his instrument and after honing his skills in the study of historical oboes under Antoine Torunczyk, Gabriel was, from 2016 to 2025, a co-founding member of Sarbacanes, an ensemble dedicated to wind music performed on period instruments. In 2026, drawing on this experience, he founded a new ensemble: Le Chapitre. The ensemble’s first EP, released in June 2026, is dedicated to Marcello’s Oboe Concerto. In 2026–2027, Le Chapitre will tour with Beethoven’s opera Fidelio, in a new arrangement for wind octet and singers, produced by the Théâtre Impérial – Opéra de Compiègne.

PRESS

Pierre Gervasoni

Le Monde
"Far from being limited to a roundup of the genre once in vogue of romance, this original program offers a panorama of a form of romantic expression that extends well beyond the era that saw it born."

"If the brush stroke of Gabriel Pidoux is exquisite, with its multiple shades of color and light, the brushstrokes of Jorge González Buajasán do more than realize a piano background. A duo with a future."

Augustin Javel

Classica
"Pidoux has a total control of his instrument (superlative use of suraigus, delicate ornamentation in the Wallner Mazurka, unfathomable pianissimos...)."

Bertrand Hainaut

Diapason
"The warmth of the timbre, the flexibility of the phrase and the sincerity of the expression are the key words of this reading, all in a gentle and elegant manner."

"The transcription of Elgar’s Salvation of Love once again testifies to an complicit dialogue. The oboe of Pidoux fits ideally in place of the violin, with a delicate vibrato and transparent highs. We can’t wait to follow the musician on his future adventures."

CONTACT

Bande Passante

ines@bande-passante.fr

+33 (0)7 77 98 23 70